A rare 18th century Birmingham silver caddy spoon by leading maker Joseph Taylor. The spoon is a naturalistic veined leaf, very finely decorated on the back and the front, the handle a coiled tendril, simply formed from silver wire rolled into a circle, with a tail, flattened to form the connection with the bowl, it works remarkably well. The hallmarks have been individually very carefully struck, as a result all 5 hallmarks are fully intact and clearly visible, which is not often the case with finely decorated silver. They include Birmingham anchor, date letter b for 1799, cusped duty mark, lion passant and makers mark IT for Joseph Taylor. 3 very similar caddy spoons are depicted in the book "Caddy Spoons" by John Norie (a book we highly recommend), figure 59g, by Joseph Taylor dated 1798, and also 2 by Elizabeth Morley (dated 1802 and 1815), figure 22a and c. The same book says "all 18th century Birmingham caddy spoons must be considered comparatively rare and desirable, the facts are that very few were ma...

A fabulous Royal silver souvenir spoon, of outstanding quality, commemorating the investiture of the Prince of Wales (now King Charles III) in Caernarvon, Wales in 1969. The spoon has a cast silver Welsh dragon holding a Royal shield, the dragon's tail curls around the spoon stem and forms a "rat-tail" on the spoon bowl, we love this spoon. The bowl has a cast silver Prince of Wales emblem, with 3 feathers above crown, above the motto "Ich Dien", translated "I serve". The back is engraved "Caernarvon 1969, 256", this was a limited edition and each spoon was numbered. The hallmarks are clear, with makers mark JDB for J.D. Beardsmore & Co, who only worked in 1969 and appear to have only produced this spoon. The Emblem inthe bowl, which is cast as a separate piece, is also hallmarked. The spoon was originally sold in a custom box with leaflet, the leaflet informs that the spoon was designed by Norman Manwaring, Herald Painter to the College of Arms, under the supervision of R.O. Dennys, OBE, FSA, Herald of Arms,...

A lovely Georg Jensen sterling silver cream ladle in the Blossom No 84 pattern, with London import marks for 1931. The ladle is well designed, with a kink in the handle below the flower blossom, which greatly improves the grip and allows for precise pouring. The bowl is planished (hand hammered), and the 2 pouring lips work well. The Blossom pattern No. 84 (Magnolie in Danish), sometimes called Magnolia in the USA, was designed by Jensen himself and introduced in 1919, is "a sculptural design which features a realistic stem and blossom design that appears to grow from the handle. This pattern, perhaps more than any other, demonstrates the sculptural quality that earned Jensen widespread acclaim". - Georg Jensen, A Tradition of Splendid Silver, Janet Drucker, page 267 - a book we highly recommend. The ladle is clearly hallmarked, makers mark GJ with 925 S in beaded circle, above "Denmark Sterling", below pattern number "84". The ladle also has clear London hallmarks, with GS for George Stockwell & Co, who impo...

A lovely set of Georg Jensen Beaded pattern mocha spoons (6), perfectly preserved in their original box. The spoons are small and dainty, but exude the quality you expect from Jensen. The original silk lined box reads "Georg Jensen, Silversmith, 15a New Bond St, London W.I, Member of the Salon Paris". The beaded pattern (Kugle in Danish, Jensen pattern # 7) has a beaded pattern around the lower edge of the handle, it was designed by Jensen himself in 1916, described as "an elegant composition, that remains contemporary in design while imparting a timeless quality" - Georg Jensen, Tradition of Splendid Silver, page 267. All 6 spoons are clearly hallmarked with Danish marks GJ in circular bead with 925 standard mark, and English import marks for 1925, with importers mark GS for George Stockwell & Co, (imported Jensen silver between 1909 and 1931).

An interesting pair of Cape silver tablespoons, engraved with an original family crest of winged castle turret below circular cross. The spoons are Fiddle pattern, and are very pleasing quality and weight, the condition is good too, we really like these spoons. The hallmarks are also very clear on both spoons, pseudo duty mark, pseudo castle town mark with flag flying, pseudo date letter C and makers mark LT (mark 140 in Cape Silver and Silversmiths by Welz). Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1832. Note - With the assistance of a customer, we have now identified the engraved crest as the Heathcote family, described as "On a mural crown, a sphere charged with a cross, between two wings". The spoons probably belonged to Captain William Lovell Heathcote (1802-1885), who was born in Hursley, U.K. and died in Colesburg, Northern Cape, South Africa. He was the son of Admiral Henry Heath...

A rare and interesting American sterling silver souvenir spoon, with gilded detail, retailed in Nome, Alaska during the Nome Gold Rush of 1899-1909. The spoon has beautiful detail, and is excellent quality and condition. The bowl reads "Nome, Alaska, Struck It Rich" and has a gilded prospector panning gold in a stream below a waterfall, gilded elements on American silver souvenir spoons are rare. The handle has a rising sun above NOME, with pan, shovel and pick below, above a canoe with 4 hunters, 2 paddling, one with bow and arrow, and a 4th with harpoon, all wearing furs. The back features a miner tipping pay into a sluice box, above a paddle, bow and arrows and harpoon. The spoon is clearly hallmarked, retailers mark L.W. Suter, makers mark empressed Fleur de Lis in raised triangle for Mayer Brothers of Seattle, Washington, and raised Sterling. Louis Suter was a jeweller and retailer who arrived in Nome in 1900, he prospered and built the leading Jeweller in Nome, with the largest selection of stock in Ala...

A pair of antique silver serving spoons, with beautiful pierced and engraved handles, in pristine condition. The detail of the piercing is excellent, an architectural feature surrounded by foliage. The spoons are a useful size, ideal for serving. The spoons appear to have never been used, such a pity for such beautiful items. The hallmarks on both spoons are clear, and include makers mark for the Sheffield firm of Hawksworth & Eyre, who worked between 1841 and 1932, when they were taken over by Ellis of Barker Brothers. Charles Hawksworth and John Eyre exhibited a wide variety of goods at the Great Exhibition of 1851, they had showrooms in London Fleet Street and Montreal, Canada. (Culme, Directory of Gold & Silversmiths, page 222).

A matching set of six antique silver teaspoons and 2 saltspoons, all engraved with an Earl's coronet above monogram with letter C. The monogram is quite intricate, 2 S scrolls intertwined, with central letter C. The spoons are good quality, teaspoons 28 grammes each, all have a double drop. The hallmarks are clear on all 8 spoons, the makers mark LAC is only lightly struck, but still visible. Lionel Alfred Crichton, 1890-1938, was known for it's fine quality replica silver. Lionel Crichton also set auction records for silver purchases in 1914, he paid the record sum of 5600 pounds at Christies for a silver standing salt, dated 1508 (Henry VIII), from Lord Ashburnham's collection. He had retail outlets in Bond Street London, and New York.

A set of fabulous quality antique silver teaspoons, in the Fiddle and Thread pattern, made by the leading silversmiths of the Victorian era. The teaspoons are quite large and a very pleasing weight, over 30 grammes each, they have engraved initials AMI. The hallmarks are excellent on all 6 teaspoons.

A private die silver serving or basting spoon featuring a King Protea, South Africa's national flower. The pattern is single struck, and contains a well modelled King Protea on the end of the spoon, the stem is decorated with a triple ribbed pattern with bands, ending in a diamond shape at the spoon bowl. We imagine this is a rare pattern, probably a special commission for a South African event or for a family with South African ties (all suggestions welcome). The hallmarks are clear, and include makers mark R.C for William Comyns & Sons, a firm that dates back to 1856, and still exists today. They are an important firm, their archive contains over 30 thousand patterns (in the V&A), they made all the coronets for the Queen's coronation. The spoon also has an additional hallmark in a very strange place, at the back of the spoon where the stem joins the bowl, this mark is circular and contains 3 C's in a pattern, we have now established this back to back C's hallmark is a trademark used exclusively by William C...

A set of 6 Georg Jensen sterling silver coffee or demitasse spoons, in the Akkeleje # 77 pattern. The design is repeated on the back and the front, the Akkeleje can be translated as the Columbine flower, these are attractive, dainty spoons. The pattern was introduced in 1918, and was designed by Georg Jensen himself. All 6 spoons are clearly hallmarked with Danish hallmarks, including makers mark GJ above "STERLING DENMARK", they also have London import marks and 925 sterling marks for 1934 and 1935 (4 are 1934, 2 are 1935), along with makers mark G.J Ld, used by Jensen between 1931 and 1967 for items imported to their store in New Bond Street, London.

A set of 6 antique silver egg spoons, in the Fiddle, Thread and Shell pattern. The spoons are fabulous quality, just under 30 grammes each, a pleasure to hold and use. The spoons have the traditional shovel shaped bowls with distinct shoulders, where they meet the stem, so quite different to teaspoons. The hallmarks are clear on all 6 spoons, but the makers mark is only lightly struck, enough is visible to confirm the triangle shaped HA&S makers mark for Hollard, Aldwinckle & Slater, used between 1905 and 1919. Culme (Directory of Gold & Silversmiths) describes this firm as "an important firm of manufacturing silversmiths, established 1838, they purchased Chawner & Co in 1883, Hennell in 1887, they were absorbed by Francis Higgins in 1922". They supplied virtually all the leading silversmiths of the day, including Garrard, Elkington, Mappin & Webb, and Hunt & Roskell. A visitor in 1894 said "in passing through the galleries, the heavy thuds and ring of anvils, convince one that there is indeed such a trade as...

A set of 6 sterling silver Arts & Crafts teaspoons, made by Kurt Jobst circa 1950. The spoons have spiral design finials, which were described by Nadine Gordimer as "chamelon tail spoons", source the book "Kurst Jobst, Goldsmith, Silversmith, Art Metal Worker", 1979, page 46, a book we highly recommend. The spoons also have round bowls and hand hammered "square" handles, they are a pleasure to hold and use. They are great quality, each individually made by hand by a master craftsman. The same book depicts these spoons in 3 different sizes (page 40), the smallest probably for salt, the medium teaspoons and the largest probably for condiments (these spoons are the medium size). All 6 spoons have clear hallmarks, and include his trademark "unicorn" KJ mark, along with "Jobst, Sterling and .925" marks. Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and be...

A pair of Scottish Provincial silver tablespoons, made in Aberdeen by Peter Ross between 1819 and 1822. The spoons are Fiddle pattern, and have original owners engraved initials AGC. The spoons are in lovely condition, well preserved, and the hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching single tablespoon S 1892.

A fabulous pair of Baltimore silver tablespoons, in the Kings pattern, by Samuel Kirk of Baltimore, and bearing Baltimore assay marks for 1824-1826. The spoons are very good quality and gauge, unlike many American spoons of the period, which were often thinner and lighter than their English counterparts. They are single struck (in Scottish fashion), the back of both spoons is engraved Lyon, we assume the original owner. In addition to makers mark S.Kirk in script in rectangular punch, the spoons have the oval Baltimore Coat of Arms quality mark, in rectangular punch with cut corners, and date letter C, used by Assay Master LeRoy Atkinson between 1824 and 1826 (see www.imperialhalfbushel.com for information on these marks). These date to an interesting period in American silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA, following the passing of the Assay Act by the State Legislature of Maryland in 1814 (it was unpopular so repealed i...

A collection of 10 sterling silver and enamel souvenir spoons, all from Scottish towns. Eight of the spoons have enamel finials, one has additional enamel bowl, two are silver only. The spoons were made in Birmingham, London and Edinburgh, and two were imported from Europe. The dates range from 1900 to 1955. All 10 spoons have clear hallmarks. The 10 include: 1. Kilmarnock, Birmingham 1946, L Bros, Confide Virtute et Industria 2. Glasgow, Birmingham 1955, Barker Brothers 3. Edinburgh, London 1902, Saunders & Shepherd, Nisi Dominus Frustra, imported F mark 4. Glasgow, Birmingham 1926, Levi & Salaman, Let Glasgow Flourish, Cathedral in gilded bowl 5. Edinburgh, Birmingham 1900, Levi & Salaman, Nisi Dominus Frustra 6. Glasgow, Birmingham 1911, Joseph Cook & Sons, Exhibition 1911 7. Girvan, Birmingham 1902, William Henry Leather, Sigillum Burgi de Girvan 8. Dumfries, London circa 1900, imported F mark, Enamel bowl with High Street, Dumfries 9. Edinburgh, Birmingham 1926, Levi & Salaman, Nisi Dominus Fru...

A rare and beautiful set of 6 silver and enamel mocca spoons, complete with "coffee bean" terminal, gilded bowls, and beautifully enamelled back of bowls in chinoiserie style. These are gorgeous spoons with 6 very different pictures, beautifully enamelled with rich colours, including gold. Two scenes depict pagodas, and one has a Chinese figure complete with fan, golden trident and some Chinese script. The 4th spoon has a gold geometric design on deep blue enamel, with arrows and flowers. The final 2 (our favourites) have a floral theme. The spoons are in their original box, "By Appointment to HM the King, the Goldsmiths & Silversmiths Company Ltd, 112 Regent Street, London". The Goldsmiths & Silversmiths amalgamated with Garrards in 1952, now part of Mappin & Webb. The hallmarks on all 6 spoons are clear.

An unusual set of Scottish Silver Hanoverian tablespoons, made in Victorian times. These spoons are lovely spoons, very good quality and weight, a pleasure to use. The spoons have a double drop, are bottom marked and have script initials "AW" engraved on the back of the spoons, in 18th century style. The spoons were probably made to order, as they are replicas of an earlier style. The hallmarks on all 4 spoons are excellent, including makers mark "G&MC" for George and Michael Crichton, who worked between 1864 and 1876.

A fabulous pair of Cape silver tablespoons in the old English pattern, with a beautifully engraved contemporary family crest, a rabbit or hare jumping over a rock. The spoons are good quality and weight, and are well preserved. Both are struck with makers mark IC for Johannes Combrink, one is very clear, the other is slightly worn. The spoon terminals have a strong turn and rib on the back, and an unusual shaped drop, very colonial in style. We have not identified the family crest (suggestions welcome), perhaps Haas or Haasbroek? This pair are amongst our favourite Cape silver items, they are lovely spoons.

A rare set of 6 Scottish Provincial teaspoons, with engraved initial J. They are an unusual pattern, Fiddle without shoulders, and the edges are bevelled. Each spoon is slightly different, clearly each spoon has been made individually by hand. Each spoon is hallmarked with 3 "pot of lilies" followed by makers mark WC. The marks on 3 spoons are excellent, well struck and very clear, on 2 the bottom right hand corner is not visible, and on 1 spoon the marks are partially visible (but the pot of lilies still clearly visible) - as is often found with makers individually struck by hand. The pot of lilies townmark (azure a pot of growing lilies argent) is taken from the arms of the Burgh of Dundee (Jackson pg 598). Each pot has 3 lilies and 2 handles clearly visible.